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- You register.
- We send you the device to your studio by appointment.
- You try it out for 14 days.
- Then you decide if you want to keep it.
- If not, you can return it without any ifs or buts.
Description
Tube Summing Mixer
Analog Summing Mixer
The mix is finished. Levels sit, the automation rides, every edit is in place.
And still it hangs between the speakers: clean, correct, strangely closed.
The Tube Summing Mixer opens it into the room.
Your mix stays in the DAW. Only the summing goes analog, through tubes and transformers.
Rounded, not dulled
Tubes and transformers do the summing, and they leave a signature you can hear.
The mids gain density and a silky kind of weight, hasty peaks get caught, edges are gently rounded off. Highs and lows stay untouched.
Reviewers have described this character the same way since 2006, and the 2023 Amazona test still hears it like that.
The quotes are further down this page. Better yet: listen to the comparisons in the videos.
Total recall stays
A summing mixer only earns its rack space if it costs you nothing in workflow.
So the TSM takes nothing away from the DAW: mix, automation, edits and recall stay exactly where they are. The TSM does the summing, nothing else.
That is also why the output has a stepped switch instead of a potentiometer, in -3 dB steps.
Open the session again next month, and the sum comes back exactly as it was.
One switch, on purpose
People ask why a mixer with 40 inputs has exactly one control. That is the point.
Every knob on a summing mixer is a variable, and a single variable is enough to break total recall for a project. One stepped switch means the one setting that exists always comes back.
And if you catch yourself wishing for aux sends, panorama and level knobs, you are not looking for a summing mixer, you are looking for a console. That is fine too.
The whole story: The Single-Knob Mix
2 × 20 channels, and room to grow
On the back: 2 × 16 balanced inputs on four sub-D connectors (Tascam® layout, XLR or TRS via adapter cable) plus 2 × 4 balanced TRS jacks.
Feed a mono source into the lower jack of a pair and it appears in the phantom center of the mix, no extra patching.
If 40 inputs are not enough, cascade several TSMs.
Big sessions and surround mixes stay on the table.
One honest note
The TSM sums. It does not compress and it does not equalize.
If you want processing on the summed bus, that is where a Creme comes in. And if you work entirely in the box and want nothing added to your sound, you do not need a summing mixer.
What analog summing actually changes, when it pays off and how many channels you need: Analog Summing: What It Does and When It Pays Off.
The TSM is for the mix that is supposed to sound like it went through a desk.
The rest is listening: take the 14-day studio test.
Read more: Amazona.de Reviews the TSM Analog Summing Mixer · Amazona.de: TSM Review & Michael Krusch Interview · Interview: Andrea Cichecki on TSM and EQP-1
Videos
Review
Tegeler Tube Analog SUMMING MIXER w/ 40 Channels
English / English
Tegeler Audio Manufaktur TSM Tube Summing Mixer
English / English
Tegeler: 40 Channel Summing Mixer | Full Demo and Review
English / English
How to connect a summing mixer? Audio interface - AD/DA converter - Cables - Mixer - Studio One
English / English
Analog vs Digital Summing Comparison (ft. Satori Monitoring Controller & Tegeler Tube Summing Mixer)
English / English
Sound Demo
Tube Summing Mixer Techno (no talking)
English / English
Tube Summing Mixer Hip Hop (no talking)
English / English
Tube Summing Mixer & Antelope Orion32 HD vs. Cubase ITB
English / English
Analoge Tube Summing Mixer on a Hip Hop track
English / English
Features
Features
- 2 × 16 balanced inputs via 4 sub D connectors (XLR or TRS via adapter cable, Tascam® layout)
- 2 × 4 balanced TRS inputs (Neutrik®stereo jack)
- Internal mix bus with up to +22 dBu
- Active Tubes and Transformer output stage
- Illuminated VU meters
- Output Level switch in -3db increments
Specifications
- Frequency Response: 20 Hz–40 kHz
- Maximum Input Level: +22 dBu
- Input Impedance: ≥ 10 kΩ
- Output Impedance: < 600 Ω
- Maximum Output Level: +24 dBu
- Dynamic Range: ≥ 110 dB
- Voltage: 230 V~/50 Hz or 115 V~/60 Hz
- Fuse: 500 mA slow-blow
- Dimensions: 2 U, H: 88.1 mm, W: 483 mm, D: 250 mm
Reviews
Amazona.de
- 2023-01
- Axel Ritt
"The audio material loses corners and is significantly more compressed, especially in the midrange, than without analog summing.
Short, percussive sounds are only slightly decanted and experience a comparatively small change in sound. On the other hand, pads or already heavily compressed material experiences a significant increase in pressure, it becomes softer and more balanced in frequency.
It is also worth mentioning that the sound coloration does not affect the treble or bass range. Failures, such as a treble cut or lack of punch below 100 Hz, are therefore not to be feared."
Professional Audio Magazin
- 2007-06
- Michael Nötges
"The individual signals appear contoured and lively and the sound image tastefully gains color and expressiveness.
The spatial information becomes more apparent, which results in a deeper listening impression. The sound image appears more vivid and acquires more three-dimensionality."
Sound&Recording
- 2006-11
- Andreas Hau
"The result already sounds much more like the sound image you are used to from analog productions than the purely digitally played out mix.
Your mix sounds as tight and crisp as before, just a bit 'deburred' and gently rounded at the corners"
FAQ
For economic and environmental reasons, we refrained from throwing away everything with the old logo. Instead, we will replace all parts and materials piece by piece. Of course, when you buy a unit, you get the same quality no matter what logo is on the outside.
- If you feel confident replacing the lamp yourself, you can order a new one here: Order lamp at Mouser
- You can order a new meter from us: Order new meter
- You can send the unit to us for repair. Please fill out the form beforehand: Fill out repair form
Please fill in the form before: Fill in the RMA form.
In the USA, we have a partner who handles repairs on our behalf to make things easier for you.
Please contact the Audio Collective Group at customerservice@audiocollectivegroup.com to discuss the next steps.